Robert Treviño extends his time at the forefront of the Basque National Orchestra to five seasons
In the coming days, and having completed the last programme of concerts in the 2017/2018 Season with the direction of Verdi’s Requiem, Robert Treviño will have finished the first of the three seasons initially agreed to as Chief Conductor of the Basque National Orchestra.
After this time, and having observed the rise in quality and artistic results obtained as the Orchestra conductor, Robert Treviño’s contract has been extended for another two years. His presence as artistic head of the Orchestra will therefore encompass a musical period of five seasons, until 2021/2022.
As the leading artistic figure with the Basque National Orchestra, Robert Treviño has demonstrated his commitment to the Orchestra, to culture and to the country. This 2017/2018 Season has seen him front six concert programmes (26 concerts). But he has similarly contributed to education with our Music Room Concerts for Schoolchildren, also becoming involved in Musikene and the Master’s Degree in Orchestral Studies, with exclusive dedication to his students to help them improve and complete their training.
In his interest and commitment to Basque music he is also the first chief conductor of the Orchestra to participate in Musikaste, tackling for its closing event a programme completely focussed on Basque composers.
As well as his commitment and presence in the Basque Country, Robert Treviño has set new landmarks in the international sphere, having obtained in recent months great praise at the head of orchestras like the London Symphony, the London Philharmonic and the Zurich Tonhalle. Now he takes yet another step forward, preparing the tour of his orchestra, with which he is enormously proud to perform in Central European concert halls of enormous musical tradition and exacting audiences: the Herkulessaal in Munich, Brucknerhaus in Linz and the Festspielhaus in Bregenz.
More information
Robert Treviño official webHosokawa and Saint-Saëns: two important recordings by the Basque National Orchestra on the world market
The Basque National Orchestra adds to its record library two new recordings of enormous relevance on the international market: Hosokawa, with the unpublished recording of works by one of the most important contemporary composers, and Saint-Saëns, with a compendium of orchestra works completing the composer’s catalogue on the Naxos label. The two albums have as their music director the former chief conductor Jun Märkl and have been recorded by the said label, a prestigious record company which distributes all over the world.
Together with the commitment to address and conserve Basque music production – which has its most outstanding example in the Basque Music Collection (15 volumes-CLAVES Label), the Basque National Orchestra has extended its recordings policy to include the international repertoire. It now brings this outstanding example which will enable the Orchestra to present itself to the most international market in singular fashion and thanks to distribution by NAXOS.
TOSHIO HOSOKAWA and the unpublished recording of orchestra works
This recording presents the Orchestra’s most contemporary aspect, combining different elements which make it enormously important and place it among the most distinguished recordings on NAXOS Records. On the one hand, it is the first world recording of all of the works compiled and includes performances by the soloists who first released it: Susanne Elmark and Ilse Eerens (sopranos), Mihoko Fujimura (mezzo soprano) and Tadashi Tajima (shakuhachi/Japanese flute). On the other hand, the recording is presented thanks to the coming together of a series of factors which made it possible: the Japanese roots of Jun Märkl, his friendship with Toshio Hosokawa and coincidence of the EU JAPAN FEST organisation’s sponsorship of the European Capital of Culture and therefore of San Sebastian 2016. All of this meant that the self-same Hosokawa, one of today’s most distinguished composers, was present at the recording in the Orchestra’s Miramon headquarters where he demonstrated his emotion at the carrying out of this project, which includes for example in ‘Meditation’ a tribute to the victims of the Japan tsunami of 2011. The album will be released onto the market in the coming days. It is already on sale in the United States and Canada via naxos.com.
See the record details and listen to the promotional audio here
The following video shows part of the process of recording ‘Orchestal Works 3’ by Toshio Hosokawa and the Basque National Orchestra:
Toshio Hosokawa / Basque National Orchestra: Orchestral Works 3 (EN) from EUSKADIKO ORKESTRA on Vimeo.
In the following images we can see Toshio Hosokawa working at the Miramon Orchestra Headquarters (click on the images to enlarge and download them):
SAINT-SAËNS and the French composer’s complete collection for the NAXOS label
With the recording of the orchestra works included in this copy the NAXOS label has covered the totality of the works by the French composer, Camille Saint-Saëns. This is a compendium of four works written by the composer at different times of his creative period. The cellist from Granada, Guillermo Pastrana, also joins the recording, lending voice to the ‘Suite Op16bis’ for cello and orchestra. Jun Märkl, a great specialist in the French repertoire, leads the conducting of this new and magnificent album. The CD is now on the market and available for purchase.
See the record details and listen to the promotional audio here
Presentation of the 2018/2019 season
The work of Robert Treviño in his first year as chief conductor: Is one of the keys of the current moment in the Basque Orchestra. The work carried out this season is receiving full acknowledgement and praise from the Orchestra itself, the audience, critics and the musical environment. Proof of his commitment to the Basque formation is the enormous presence he will maintain throughout the coming season.
The image of the new season: “variations for listening to with the eyes”. Once again, the image is innovative, modern and fresh, an original visual symphony, a metaphorical composition intended to awaken the attention of spectators, to seduce them and invite them to listen with their eyes. The eleven graphic compositions illustrating the corresponding programmes of the new season are therefore constructed based on two elements represented with different techniques or resources: ancient illustration or engraving and photography. Yesterday and today, music written in a past time and music performed in a present time. From the combination of both elements a new object is born, a visual harmony which illustrates every title, a visual meaning in turn open to interpretation by the spectators themselves.
Cookies policy
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We use our own and third-party cookies. Some of these cookies are essential, while others help us to obtain information about the use of our website so that we can improve it and/or provide you with advertising that may be suited to your interests. For detailed information on the cookies used on the WEBSITE, consult the Cookies Policy below.
2. INFORMATION ON COOKIES
The WEBSITE uses its own and third-party cookies.
Cookies and similar technologies such as web beacons or bugs (hereafter referred to jointly as “COOKIES”) are information files stored on the USER's device (computer, mobile phone, tablet, etc.). They are unequivocally linked to said device and enable the collection and recovery of information on browsing that takes place from the device. Further information on COOKIES: https://www.allaboutcookies.org/es/.
Type and purpose of the COOKIES used on the WEBSITE:
The WEBSITE uses its own COOKIES (sent to the USER's device from equipment or a domain managed by THE BASQUE NATIONAL ORCHESTRA and from which it provides its services) and third-party COOKIES (sent to the USER's device from equipment or a domain managed by a group other than THE BASQUE NATIONAL ORCHESTRA), of the following kind:
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COOKIES used on the WEBSITE
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Privacy policy
This Privacy Policy (hereinafter the “PRIVACY POLICY”) generally regulates the collection and processing by ORQUESTA DE EUSKADI, S.A. (hereinafter the “ORCHESTRA”) of the personal data you provide to us (i) as a user of the website accessible via the domain name www.euskadikoorkestra.eus (hereinafter the “WEBSITE"), including the blog, social media, Newsletter or any other services or functions available at any time on the WEBSITE; and (ii) as a participant in activities, events and raffles organised by the ORCHESTRA. All notwithstanding the specific provisions established in certain sections, forms or services available on the WEBSITE with the purpose of providing you with the pertinent information and, where appropriate, obtaining your consent.
The ORCHESTRA reserves the right to make changes to its PRIVACY POLICY in order to bring it into line with new features in case and/or administrative law, and to the practices it develops at any time via the WEBSITE and/or via activities, events and raffles that are organised, always taking account of your rights and interests.
In any event, the ORCHESTRA will provide you with the adequate technical resources to access the PRIVACY POLICY in order to duly comply with our duty to inform under the applicable data protection regulation.
1. Who is Responsible for Processing your data?
The body Responsible for Processing your data is the ORCHESTRA, a company with its address at Paseo Miramón, no. 124, Donostia-San Sebastián (Gipuzkoa), entered on the Company Register of Gipuzkoa in volume 1.357, folio 1, sheet SS-7.171 and with Tax ID number A-20077541.
For any issue elated to the PRIVACY POLICY and/or the processing of your personal data, you can contact us at the above-mentioned postal address or by writing to the email rgpd@euskadikoorkestra.eus.
2. How have we obtained your data?
The data we process at ORQUESTA have been obtained from you by means of (i) the various forms which you complete while browsing our WEBSITE (e.g. contact forms, subscription to the newsletter, sending your CV, etc.) or (ii) via email queries sent by you.
If the personal data provided belong to a third party, you guarantee that you have informed said third party of our PRIVACY POLICY and that you have obtained their authorisation to provide their data to the ORCHESTRA for the purposes explained below.
We also inform you that your social media data may be processed through the corporate profiles made available by the ORCHESTRA in each of the social media where it has presence, all in the terms and conditions established in each social network.
3. What type of data do we process?
The data processed by the ORCHESTRA are those which you provide to us through the forms we used to formalise our contact with you and/or by email, as well as others which we may obtain through the ORCHESTRA’s corporate profiles on the social media in which we are present.
The ORCHESTRA particularly processes the following categories of data, depending on your use of the WEBSITE:
- Identification and contact data (e.g. name, surname/s, ID card number, postal and email address, telephone no., etc.).
- Internet browsing data (e.g. IP address, website visits, WiFi network connections, etc.).
- Bank and electronic transaction data when you purchase tickets through the WEBSITE.
- Data on personal characteristics, training, employment, etc. (in the case of applications/job offers and/or selection processes at ORQUESTA in which you participate voluntarily).
4. For what purpose do we process your data and with what authority?
Your personal data are processed for the following purposes:
- To manage your access to and use of the contents and services made available to you by the ORCHESTRA on its WEBSITE.
- To process and manage information requests, suggestions, complaints and claims made by you via the WEBSITE or by email.
- To process and manage the contracting of products and services which, where appropriate, you formalise with the ORCHESTRA via the WEBSITE.
- To manage the participation in activities, events and raffles organised by the ORCHESTRA.
- To send you, by different means, including electronic, commercial communications and advertising about the ORCHESTRA and the activities and projects in which it participates, provided that you have given your consent for us to do so.
- To manage your subscription to our Newsletter and to send you the corresponding communications, provided that you have given your consent for us to do so.
- Managing your job application or registration for a job offer and your participation in the corresponding selection process.
- Managing the patronage contributions that, where applicable, are requested to be made in favour of the entity through the WEBSITE, as well as the legal obligations derived from these.
The processing of your personal data by ORQUESTA, in accordance with the applicable regulations, is based (i) on your consent, granted at the time of collecting your personal data that you voluntarily provide us with through the mechanisms on the WEBSITE for this purpose; and (ii) in compliance with our legal obligations regarding the management of your patronage contributions, where applicable.
We remind you that in those cases in which the processing of your data is based on your consent, you may freely revoke it, at any time and free of charge, under the terms indicated in Section 7 below.
5. To whom do we disclose your data?
Besides the situations where the ORCHESTRA is legally obliged (e.g. by the Tax or Legal Authorities or other Public Administrations) to disclose them, your data will not be disclosed to third party entities.
No international transfer of your data is envisaged.
6. For how long will we keep your data?
Generally speaking, we will keep your personal data as long as you have not revoked your consent for their processing or requested their deletion, and for the time necessary to fulfil the legal obligations the ORCHESTRA is bound to observe.
In any event, the ORCHESTRA informs you that it has internal policies in place for clearing data. This system is used to control the time for which personal data is kept, meaning that such data may be cancelled when they are no longer necessary and/or suitable for the purpose for which they were collected.
Your data will be held for a maximum period of two years for the purposes of managing job applications.
7. What are your rights?
The applicable data protection regulation gives you a series of rights in respect to your personal data which you can exercise during their processing. Said rights are explained below:
- Access to your data: you have the right to access your data in order to find out which of your personal data we are processing.
- Request the rectification or deletion of your data: in certain circumstances, you have the right to rectify inexact personal data which concern you and are processed by us; or, even, to request their deletion when, among other reasons, such data are no longer required for the purpose for which they were collected.
- Request limitation of the processing of your data: in certain circumstances, you have the right to ask that we limit the processing of your data, in which case we inform you that we will only keep them to make or defend complaints as envisaged by the applicable data protection regulation.
- The portability of your data: in certain circumstances, you have the right to receive the personal data that concern you, and which you have provided to us, in a structured, commonly used and machine readable format, and to transfer them to another body responsible for their processing.
- Oppose the processing of your data: in certain circumstances, and for reasons related to your particular situation, you have the right to oppose the processing of your data, in which case we would stop processing them unless they must be kept for imperious lawful reasons, or to make or defend potential claims.
You also have the right to withdraw your consent at any time, without this affecting the lawful nature of processing carried out based on your consent prior to such withdrawal.
You can exercise your rights by addressing yourself in writing to the ORCHESTRA, at the postal address indicated in Section 1.
Finally, note that you can make a complaint to the competent Control Agency (in Spain, the Spanish Data Protection Agency), particularly when you have not obtained satisfaction in the exercising of your rights. You can contact the said Authority via its website: www.agpd.es
8. Security
The ORCHESTRA will at all times process your details in completely confidential fashion, observing the duty of secrecy with regard to said data, according to the stipulations of the applicable data protection regulation. It will therefore take all of the necessary technical and organisational steps to guarantee the security of your data and prevent their alteration, loss, processing or unauthorised access, taking account of the status of technology, the nature of the data stored and the risks to which they are exposed.
9. Cookies policy
Additionally, we inform you that the ORCHESTRA has a Cookies Policy which can be consulted via the following link.
Registration for newsletters
Legal notice
Legal information
Article 10 of Law 34/2002, dated 11 July, on Information Society Services and Electronic Commerce, establishes that the provider of information society services will be obliged to enable means which permit both the receivers of the service and the competent bodies to permanently, easily, directly and free of charge access, by electronic means, the following information:
Domain name: www.euskadikoorkestra.eus
e-mail: saldasoro@euskadikoorkestra.eus
Owner: ORQUESTA DE EUSKADI, S.A., company with its address at Paseo Miramón, nº 124, Donostia-San Sebastián (Gipuzkoa), entered on the Company Register of Gipuzkoa, volume 1.357, folio 1, sheet SS-7.171 and with Tax ID Number A-20077541 (hereinafter, “ORQUESTA DE EUSKADI”).
Other interesting information: ORQUESTA DE EUSKADI is a Public Company belonging to the Basque Government, which holds 100% of its share capital.
CONDITIONS OF USE
Sphere, purpose and scope
These provisions (hereinafter, the “CONDITIONS OF USE”), regulate access to and use of the website service provided by the ORQUESTA DE EUSKADI to Internet Users (hereinafter, the “USER/S”) through the domain www.euskadikoorkestra.eus (hereinafter, the “WEBSITE”).
The above notwithstanding, access to certain contents and the use of some services made available by the ORQUESTA DE EUSKADI to the USER through this WEBSITE may be subject to a number of particular conditions (hereinafter, the “PARTICULAR CONDITIONS”) which, depending on the case at hand, will substitute, complete and/or alter these CONDITIONS OF USE and which, in the event of contradiction, will prevail over the latter. Said PARTICULAR CONDITIONS, when applicable, will be available for consultation by USERS on the WEBSITE.
As a result, before accessing said contents and/or using said services, the USER must carefully read and, where necessary, accept the PARTICULAR CONDITIONS regulating the aforementioned in the version published at the moment of proceeding with said access and/or use.
ORQUESTA DE EUSKADI reserves the right to make, at any time and with no need for prior warning, any changes or updates to the contents, to these CONDITIONS OF USE and, if required, to the corresponding PARTICULAR CONDITIONS and, in general, to all elements making up the WEBSITE design and configuration. All of the above within the limits established in this regard by applicable legislation with respect to the contents lodged in the Sections “Contractor’s Profile” and “Transparency”.
The CONDITIONS OF USE published in the latest WEBSITE update will apply and those applicable to every visit will be as published in the WEBSITE at that moment in time.
By accessing the WEBSITE, the user expressly and unreservedly agrees to and accepts these CONDITIONS OF USE establishing the terms and conditions of its use; said acceptance has the same validity and effectiveness as a written, signed contract. In the event of the USER not fully accepting these CONDITIONS OF USE, they will not be authorised to access the WEBSITE.
Economic conditions of access to and use of the WEBSITE
Unless otherwise stipulated in the PARTICULAR CONDITIONS, access to the WEBSITE and its contents is free of charge; this excludes the cost of connection to the telecommunications network contracted by the USER with their provider.
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All Industrial and Intellectual Property rights corresponding to the WEBSITE are legally reserved and under no circumstances can their access or use by the USER be considered as the authorisation of a licence of use or right to any asset whose ownership corresponds to the ORQUESTA DE EUSKADI and/or any third parties. Said reserved rights include (i) the WEBSITE look and feel and its code, design and browsing structure; (ii) contents in any format included and distributed through the WEBSITE and, particularly, any catalogues, programmes and posters included in the WEBSITE by the ORQUESTA DE EUSKADI.
It is forbidden to use references to trade names, brands, logos or other distinctive signs included on the WEBSITE, whether or not they are registered and whether or not they belong to the ORQUESTA DE EUSKADI or to third parties, without express consent from the ORQUESTA DE EUSKADI or from their legal owner.
As a result, the USER can only view and use the contents and services made available to them on the WEBSITE for strictly personal and private use, and provided that their purpose is not to develop commercial or professional actions using said contents and/or services.
It is also forbidden to decompile, disassemble, proceed with reverse engineering, sub-license or convey in any way, translate or proceed with works on the basis of the computer programs necessary for functioning, access and use of the WEBSITE. The USER shall in any event abstain from deleting, changing, avoiding or manipulating any protective device or security systems installed on the WEBSITE.
Liability and guarantees
Anyone using the WEBSITE does so at their own risk. By accessing the WEBSITE, the USER undertakes (i) not to behave in any way likely to harm the image, interest and rights of the ORQUESTA DE EUSKADI or third parties, or which could damage, render useless or overload the WEBSITE, or which could prevent, in any way, normal use of the same; and (ii) to use it in full respect of traffic laws and uses.
As a result, the USER shall answer to the ORQUESTA DE EUSKADI and/or to third parties for any damage caused by them as a result of failing to observe said obligations.
ORQUESTA DE EUSKADI takes the security measures it considers necessary to keep the WEBSITE functioning properly and to detect the existence of harmful viruses and components. However, the USER must note that the security measures of online computer systems are not completely trustworthy and that, therefore, the ORQUESTA DE EUSKADI cannot guarantee (i) the continuous availability of the contents and services appearing on the WEBSITE; (ii) the absence of errors in said contents or the correction of any defect which may occur; (iii) the non-existence of viruses or other harmful elements which may cause changes in the USER’s computer systems (software and hardware) or in the electronic documents and files contained therein; or (iv) the fail-safe nature of the security measures taken.
Furthermore, ORQUESTA DE EUSKADI reserves the right to partially or totally interrupt the service, temporarily or definitively, in the event of technical changes or breakdowns; it will, if possible, give prior notice by means of the WEBSITE or of any other means enabled for this purpose. All of the above within the limits established in this regard by existing legislation with respect to the contents lodged in the Sections “Contractor’s Profile” and “Transparency”.
LINKS
Linked sites
Through the WEBSITE, ORQUESTA DE EUSKADI offers the USER technical connections to links (such as buttons, links and banners) which may lead them to other Internet sites or portals belonging to and/or managed by third parties and over which ORQUESTA DE EUSKADI has no control (hereinafter, the “LINKED SITES”).
The USER must note that when using said link connections and accessing the LINKED SITES from the WEBSITE, these CONDITIONS OF USE are no longer applicable.
ORQUESTA DE EUSKADI neither knows nor controls the contents and services included in the LINKED WEBSITES, and the inclusion of access to these websites through this WEBSITE does not, under any circumstances, imply (i) that ORQUESTA DE EUSKADI recommends or approves the contents and services lodged in the LINKED SITES; and/or (ii) that any kind of relationship, collaboration or dependence exists between ORQUESTA DE EUSKADI and those responsible for the LINKED SITE.
As a result, ORQUESTA DE EUSKADI accepts no liability whatsoever for the LINKED SITES and, therefore, does not answer for the manner in which they function, for their contents and services, or for links contained in said LINKED SITES.
In the event of the USER obtaining effective knowledge of the illegal or inappropriate nature of the contents, services or any other activities developed through a LINKED SITE, they must immediately inform ORQUESTA DE EUSKADI in order that it may take the steps it deems necessary.
Hyperlinks
The establishment of hypertext links (hyperlinks) in other websites and pages is authorised, provided that they are directed to the home page of http://www.euskadikoorkestra.eus, or, where appropriate, to any other deep link of the WEBSITE and for the corresponding pages to appear in a complete window and under their respective URL addresses, assuming full liability and risk for any situation potentially arising as a result of establishing the hyperlink to the website.
Under no circumstances can the website or page establishing the hyperlink declare that the ORQUESTA DE EUSKADI has authorised said hyperlink, unless the ORQUESTA DE EUSKADI has done so expressly and in writing.
In the event that the third party placing the hyperlink on their website or page wishes to include the brand, name, commercial name, caption, logo or any other identifying element belonging to ORQUESTA DE EUSKADI and/or referring to the WEBSITE, they must obtain prior authorisation, express and in writing, from the ORQUESTA DE EUSKADI.
Notwithstanding the above, it is expressly forbidden to present a page from the website http://www.euskadikoorkestra.eus in a window of another website not belonging to ORQUESTA DE EUSKADI using the technique known as “framing”, unless express consent to do so has been obtained from ORQUESTA DE EUSKADI.
Furthermore, it is expressly forbidden to insert any kind of content circulated through http://www.euskadikoorkestra.eus, in another website or page other than the WEBSITE using the "in line linking” technique if express consent to do so has not been obtained from ORQUESTA DE EUSKADI.
The establishment of a hyperlink in keeping with the aforementioned conditions will not imply, in any circumstances, the existence of relations between ORQUESTA DE EUSKADI and the owner/person responsible for the website or page on which said hyperlink is established, or the acceptance or approval by ORQUESTA DE EUSKADI of its contents and/or services.
In any event, ORQUESTA DE EUSKADI reserves the right to forbid or render useless at any time any hyperlink to the WEBSITE, particularly in cases of unlawful activity and/or contents of the website or page in which it is included.
Cookies policy
SUBSCRIBE TO A SEASON FULL OF GREAT EMOTIONS
SEASON 24/25: CONTRAST AND INCANTATION
‘Contrast’ and ‘incantation’ are central concepts of the narrative of this new season. Contrast can be found through the combination of pieces from our habitual set-list, such as Schubert's 'The Great', Mahler's 'Seventh' and 'Ninth' and Brahms' 'Second', together with other pieces that we will be performing for the first time, from composers such as Scriabin, Szymanowski and Schoenberg.
Incantation comes courtesy of ‘Akelarre’ (Witches’ Sabbath), a cathedral piece by Pascual Aldave, who we will be commemorating on the centenary of his birth. This theme also includes Beatriz Arzamendi, with 'Sorginen soinua’ (The Sound of Witches). This will be the first time that the Arrasate born composer will be part of the orchestra’s Season Ticket Holders’ Season, as is the case with Suhar Korua, who will deliver an original concert set, also around the night. Juanjo Mena, an internationally renowned Basque conductor, returns this season and will close this Basque-inspired section.
Accompany us in the discovery and enjoyment of great new works, soloists and conductors.
MIRAMON MATINÉES
This cycle is based on three fundamental pillars: to offer quality music in a tone of relaxation and with a pedagogical character, to serve as a platform for the diversification of the symphonic work of the Orchestra members and its unique setting, the auditorium of the Miramón headquarters, turned Saturday to Saturday into a kaleidoscope through which to discover the thousand faces of music.
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Ticket information
Special Season Concert concessions
Special concessions
For the over-65s, under 30s, holders of Basque National Orchestra season tickets, students and the unemployed.
Last minute youth (10 euros)
People under the age of 30 can acquire tickets for all zones at a price of 10 euros, 30 minutes before the start of the concert from the ticket desk of the corresponding concert hall.
Offline sales points
Bilbao
Euskalduna Concert Hall ticket desk
Tuesday-Friday: 17:00-20:00 (On show days also 12:00-14:00).
If there is a show on Saturday, Sunday or bank holiday: 12:00-14:00 and 17:00-20:00
On show days, the ticket office opens at least one hour before morning shows.
Donostia / San Sebastián
Kursaal Auditorium ticket desk
Monday to Wednesday: 11:30-13:30
Thursday and Friday: 11:30-13:30 and 17:00-20:00
Saturday: 17:00-20:00
Concert days: 11:30-13:30 and 17:00-20:00
Tickets for Miramón Matinées and Family Concerts at the Basque National Orchestra headquarters can also be purchased on the day of the concert from the Headquarters ticket desk and provided that places are still available.
Vitoria-Gasteiz
Jesus Guridi Conservatory
No tickets on sale.
Pamplona-Iruña
Baluarte Auditorium ticket desk
Monday to Saturday: 11:00-14:00 and 17:00-20:00
Access for minors
Children under the age of 5 cannot access the concerts that are not specifically destined to children. Consult the regulations of each auditorium on their own websites.
Changes and returns
Once the purchasing process has been completed, no changes will be accepted and the price of purchasing the tickets will not be refunded, unless the event is cancelled. This will be the only accepted reason for refunding the price of the tickets purchased.