Thursday 30 January, 2014

The Basque National Orchestra records the original soundtrack to “Ocho apellidos vascos”, the latest film by Martínez-Lázaro

The Basque National Orchestra records the original soundtrack to “Ocho apellidos vascos”, the latest film by Martínez-Lázaro
At the BNO’s Miramón headquarters, conducted by composer Fernando Velázquez.

The Basque National Orchestra has recorded the soundtrack for "Ocho apellidos vascos", a feature film by director Emilio Martínez-Lázaro. The soundtrack was composed and conducted by Fernando Velázquez. The film is slated for release on March 14th.

New collaboration between Fernando Velázquez and the Basque National Orchestra. This recording is another in the list of collaborative projects between Fernando Velázquez and the Basque National Orchestra. Last December saw the completion of a project - part of the Klasikat series - in which the BNO, Ken Zazpi and Fernando Velázquez joined forces to record a CD and perform five concerts. Before that, Velázquez conducted the Orchestra for the recording of the soundtrack for El mal ajeno (2009), and for the Jorge Drexler song Madera de deriva, as part of the Uruguayan singer and songwriter's project entitled "n" (2012); Velázquez also conducted a concert featuring his soundtracks for the 2012 San Sebastián Film Festival.

Fernando Velázquez (Getxo, 1976) is the author soundtracks for a number of successful films, including El Orfanato (2007) and Lo Imposible (2012), both directed by José Antonio Bayona, El mal ajeno (2009) and Zipi y Zape (2013), directed by Oskar Santos, and Mamá (2013), by Andrés Muschietti. Most noteworthy, his awards are the "Premio Ojo Crítico" for classical music (2012) and the "Biznaga" award at the Málaga Spanish Film Festival (2013).

"Ocho apellidos vascos", starring Clara Lago, Dani Rovira, Carmen Machi and Karra Elejalde, is the latest comedy by filmmaker Emilio Martínez-Lázaro (Madrid, 1945). Other films by the director Amo mi cama rica (1970), Las palabras de Max (1977) - which won him the Golden Bear at the Berlin Festival - Amo tu cama rica (1991), Los peores años de nuestra vida (1994), Carreteras secundarias (1997), El otro lado de la cama (2002), Las trece rosas (2007) and La montaña rusa (2012).

"Ocho apellidos vascos" is a production of Telecinco Cinema, Lazona and Kowalski Films.

 

Thursday 23 January, 2014

Montenegro-born guitarist Miloš to be BNO guest soloist in his first appearance with a symphony orchestra in Spain

Montenegro-born guitarist Miloš to be BNO guest soloist in his first appearance with a symphony orchestra in Spain
Miloš will also perform a Miramón Matinée recital and teach a master class to students of Musikene at the Orchestra's headquarters.

From January 24th to 31st the Orchestra will once again light up the four Season Concert stages with a programme featuring the Spanish symphonic debut of Miloš, a young Montenegro-born guitarist who has taken the international music scene by storm. Miloš will join the Basque National Orchestra, conducted for the first time by Michael Francis, in a performance of one of the most popular works in the classical guitar repertoire, Joaquín Rodrigo's Concierto de Aranjuez. The programme will also include Masques et bergamasques by Gabriel Fauré and Pyotr Ilyich Tchaikovsky's Symphony No. 6 "Pathétique". The concerts will be held in San Sebastián on Friday, January 24th and Monday, January 27th at the Kursaal; in Pamplona on Tuesday, January 28th at the Baluarte; in Bilbao on Wednesday, January 29th at the Euskalduna; and in Vitoria on January 31st at the Teatro Principal.

Miloš Karadaglić (Montenegro, 1983) rose to international fame in 2011 with his debut album The Guitar (Mediterráneo), which in the space of just a few months, topped classical charts around the world. His second album, Latino (Pasión), released in 2012, received both the Classic Brit and the Echo Klassik award, in the UK and Germany, respectively. Miloš' passion for the guitar is matched with an intuitive sense of how to bring the instrument across to his public - whether it be for an audience of 3000 in a major concert hall or an intimate chamber music performance for 100 people. This highly talented soloist enjoys performing in world-class venues such as London's Royal Albert Hall, where he debuted last season, and in non-traditional venues such as New York's Le Poisson Rouge, London's Camden Roundhouse (iTunes Festival) and Deutsche Grammophon's Yellow Lounge club nights in Madrid, Berlin, New York and Seoul. In February, Deutsche Grammophon, for which the guitarist is an exclusive recording artist, will release Miloš's Concierto de Aranjuez by composer Joaquín Rodrigo.

The Orchestra and Miloš will perform under the baton of Michael Francis, who debuts this season as BNO guest conductor. Appointed Chief Conductor and Artistic Advisor to Sweden's Norrköping Symphony Orchestra, Michael Francis has worked closely with a number of well-respected musicians, including violinist Anne-Sophie Mutter.

Saturday January 25th, Miloš will offer a solo concert as part of the Matinees at Miramon series. The Montenegro-born musician will play music byJ.S. Bach, J. Rodrigo, M. de Falla and C. Domeniconi at the Orchestra's headquarters. On occasions like this, the BNO chamber music series offers a unique opportunity to enjoy internationally acclaimed soloists like Miloš in a more intimate atmosphere. The Basque National Orchestra chamber music series is dedicated to bringing audiences high-quality performances in a small-scale format.

Miloš to teach a master class to students of Musikene. As part of the preferential cooperation agreement, Aula Jordá Gela, signed by the Basque National Orchestra and Musikene, three 3rd and 4th year guitar students from the Higher School of Music of the Basque Country will have the opportunity to attend a master class on January 30th given by Miloš at the Orchestra's headquarters in Miramón. The Orchestra and Musikene joined forces in 2011/2012 to offer activities of this type to develop the careers of future professional musicians. This programme allows students to interact with consecrated musicians or play with the Orchestra at its concerts. On previous occasions Musikene students have had the chance to attend master classes by clarinet player Martin Fröst, conductors Andrés Orozco-Estrada and José Miguel Pérez Sierra, and Wolfram Christ, conductor and solo violist for the Berlin Philharmonic.

Friday 22 November, 2013

Sinfokids 2, available for distribution to every primary school in Euskadi

Sinfokids 2, available for distribution to every primary school in Euskadi
In addition to distribution in DVD, at the end of December the program will be broadcast on Basque television.

The Basque National Orchestra, Euskal Irrati Telebista (EITB - Basque radio and television) and the Basque Department of Education, Language Policy and Culture embarked on a pioneering project: to create a high quality, innovative, audiovisual music space that would enable us to reach a wide audience and, in this way, contribute to the cultural and educational development of our country. This was the start of Sinfokids, an educational music program pioneer in Spain developed in television and audiovisual format. Designed with great care, the program is entertaining, featuring content and visual language centred on the world of music and adapted to young audiences. Created by the Basque National Orchestra, produced and broadcast by EITB and distributed by the Basque Department of Education, the program is presented in Basque, Spanish and English.

Thanks to the Basque Department of Education, the programme is available at every primary school in the Basque Autonomous Community, and aired on TV by EITB. Sinfokids was designed to provide instructional material to the education community in our area; therefore, Sinfokids 2 is now being distributed in DVD format with extra resource material, such as questionnaires, etc., in primary schools, music schools, conservatories and berritzegunes throughout Bizkaia, Araba and Gipuzkoa. This widespread distribution has been made possible with support from the Basque Department of Education. Featuring fun and engaging material and ETB's innovative audiovisuals, Sinfokids is of interest to the entire family, a program which combines education and entertainment in equal measure. The program is slated to be shown on ETB1 and ETB3 at the end of December; later it will be available online through ETB à la carte at www.eitb.com.

Sinfokids 2, from teamwork to musical creativity. The characteristics of sound and timber, exploring the symphony orchestra through its sound and families of instruments, written music as a means of the universal communication - these were some of the main topics in the first instalment of Sinfokids. This second edition, aimed at primary school students, uses teamwork, the role of the orchestra conductor, nature as a source of inspiration, rhythm and creativity through music as the focal points for the five episodes or teaching units comprising the series. Sinfo (once again played by actor and musician Iñaki Tellería), the students from Zubiaur Musika Eskola in Amorebieta-Etxano (Bizkaia), the Basque National Orchestra in a concert conducted by Diego Martín Etxebarria, and drawings by illustrator Pernan Goñi are all featured in these five main themes.

Sinfokids is a strategic commitment by the Basque National Orchestra, which through its Education Department and MUSIC ROOM, offers a growing number of activities aimed at bringing music, especially symphonic music, to young audiences. 

Thursday 22 August, 2013

The Basque National Orchestra and Ken Zazpi together at Miramón

The Basque National Orchestra and Ken Zazpi together at Miramón
Under the direction of composer Fernando Velázquez, they work on their first project together.

The Basque National Orchestra Headquarters in Miramón is the setting in which a singular project is materializing: Ken Zazpi for the first time in symphonic version. The most recognized repertoire and unedited works by the group led by Eñaut Elorrieta performed alongside the Basque Orchestra. On the music stands are the arrangements created by composer Fernando Velázquez, who directs the project. A new initiative by the Orchestra to bring its work closer to society, now the youngest audience, at the hand of one of the most renowned groups within the current Basque pop-rock scene.

After the first phase of the project, focused on the selection and adaptation of the symphonic language to the music of Ken Zazpi, the songs in which the Orchestra and the group from Guernica will work on together from August 21st to 28th will be recorded on a CD which, edited by the Elkar recording company, will be released on November 8th. They will later offer five concerts in December within the KlasikAT cycle. The Kursaal Auditorium in San Sebastián (December 3rd), the Baluarte Auditorium in Pamplona (December 4th), the Euskalduna Palace in Bilbao (December 5th), the Principal Theatre in Vitoria (December 12th) and the Jai-Alai in San Juan de Luz (December 13th). These are some of the stages in which audiences will be able to enjoy the Orchestra's new incursion into repertoires that differ from classical music. Information on the sale of tickets for the concerts will be provided later on.

In addition to its work of disseminating and supporting creation in the field of classic and contemporary music, the Basque Orchestra firmly supports musical production in all its dimensions. Mike Oldfield, Jorge Drexler, Michel Camilo, Joan Manuel Serrat, Emilio Aragón, Mikel Laboa, Benito Lertxundi, Kepa Junkera and Fernando Velázquez himself are some of the artists which the orchestra has collaborated with along this line. Over the last few years the efforts have concentrated on the start-up and consolidation of KlasikAT, a crossover cycle by the Basque Orchestra which now reaches its fourth edition.

Fernando Velázquez directs the project. The composer from Getxo, Fernando Velázquez, author of soundtracks from cinematographic successes like The Orphanage and The Impossible, is in charge of the arrangements for symphonic orchestra and is also responsible for the musical direction of the symphonic pop-rock proposal. Previously, Fernando Velázquez directed the Basque Orchestra in the recording of the soundtrack for the film For the Good of Others (2009) and the song Madera de deriva (Driftwood) by Jorge Drexler, within the n project by the Uruguayan singer-songwriter (2012). In addition, he directed an opening concert for the past edition of Zinemaldia focused on its soundtracks and, in the past month of June, he performed the opening concert for the International Meeting for Autism Research (IMFAR) 2013 held at the Kursaal Auditorium in San Sebastián.

Wednesday 29 May, 2013

Basque National Orchestra and Malandain Ballet Biarritz at the "Versailles Festival: Les Voix Royales”

Basque National Orchestra and Malandain Ballet Biarritz at the "Versailles Festival: Les Voix Royales”
La Orquesta de Euskadi y el Malandain Ballet Biarritz presentan La Cenicienta en el 15º programa de Abono, 3 y 4 de junio en San Sebastián y 17 en Bilbao. Antes de este último concierto, viajarán a París, donde presentarán La Cenicienta en la Opéra Royal del Château de Versailles, los días 7, 8 y 9 de junio.

The Basque National Orchestra joins Malandain Ballet Biarritz, directed by Thierry Malandain, in a new production of Cinderella. This is the second time the two will perform together, on this occasion wrapping up the BNO's 15th Season Concerts programme. The event will take place on June 3rd and 4th at the Kursaal Auditorium in San Sebastián and on June 17th at Bilbao's Palacio Euskalduna. Before this final concert, the Basque National Orchestra and Malandain will travel to Paris to perform Cinderella (Cendrillon) at the Royal Opera of Versailles as part of the Versailles Festival. The event will be held on June 7th, 8th and 9th.

Cinderella, a new pas de deux by the Basque National Orchestra and Malandain Ballet Biarritz. After successfully joining forces in 2011 in the production of Magifique, in which the Orchestra played music by Tchaikovsky, the BNO and Malandain Ballet Biarritz are back together with Cinderella. 

A first at the Versailles Festival, the third summer programme of the prestigious Château de Versailles Spectacles. The Versailles Festival, which this year will feature the Malandain Ballet Biarritz and the Basque National Orchestra, offers one of the most formidable programmes on the European circuit. The concert series known as Château de Versailles Spectacles hosts 70 shows from September to June at the Opéra Royal and other spectacular settings at the Palace of Versailles.

Under the title "Les Voix Royales" (royal voices), the third edition of the Versailles Festival, running from May 31st to July 7th, features such notable names as Sir John Eliot Gardiner and The English Baroque Soloists, Jordi Savall, Magdalena Kozena, Cecilia Bartoli, Diego Fasolis, Orchestre National de Montpelier, Monteverdi Choir and Choeur Accentus. The performance venues include the Opéra Royal, Chapelle Royal and Galerie des Glaces at the Versalles Palace, just outside Paris. Featured alongside these names are the Basque National Orchestra and Malandain Ballet Biarritz. 

This new international tour is the 15th in the Basque National Orchestra's history and marks the Orchestra's debut at one of the most spectacular stages in all of Europe: the Versailles Palace Royal Opera.

 

More information

Paris 2013. Press book

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Wednesday 15 May, 2013

Universal Language, the underlying force for the Basque National Orchestra's 2013–2014 Season

Universal Language, the underlying force for the Basque National Orchestra's 2013–2014 Season
The Basque National Orchestra's 2013-2014 Concert Season will open on 7 October in Vitoria and come to a close on 4 June 2014 in Pamplona. In this new season, the 32nd in the Orchestra's history, 13 different programs will be featured.

"Music is the true universal language". This quote by composer Carl Maria von Weber has now become a statement of principles, an affirmation of the everlasting value of music as a vehicle for cultural and educational exchange. Von Weber's words will be the underlying force for the Basque National Orchestra's 2013-2014 season.

Melodies and words from around the world and different time periods will be brought to the stage by leading artists. Relevant names in music will be enhanced with great names in literature and theatre. Melodies and varied words will now become an echo of universality.

The countless hours of music offered by the Orchestra through its Season Concerts (backbone of the BNO programme), Miramón Matinées, Music Room (educational and social activities), KlasikAT, CDs, plus its participation in cultural events such as ABAO (Bilbao Friends of the Opera), the San Sebastián Classical Music Festival, Zinemaldia, Musika-Música, Le Temps d'Aimer la Danse, and more are all an example of the Orchestra's excellence and its policy to promote diversity. Diversity in a programme designed for a diverse audience. Because the Basque National Orchestra belongs to the society that nurtures it, a diverse society as evidenced by the thousands of people who have attended a BNO concert or have followed the Orchestra over the course of this season via its website or social networks.

Tuesday 09 April, 2013

The Basque National Orchestra will perform for the first time at the new Bordeaux Auditorium

The Basque National Orchestra will perform for the first time at the new Bordeaux Auditorium
On April 11th and 12th, the Basque National Orchestra will give two concerts at the Bordeaux Auditorium as part of the Orchestre National Bordeaux Aquitaine season concert programme and in the context of a new exchange.

On April 11th and 12th, the Basque National Orchestra will give two concerts at the Bordeaux Auditorium as part of the Orchestre National Bordeaux Aquitaine season concert programme and in the context of a new exchange. The BNO is the first foreign orchestra to perform on the stage of the city's newly opened concert hall. Under the direction of conductor Carlo Rizzi, in Bordeaux the Orchestra will perform for the first time with the pianist Luis Fernando Pérez. The programme taken to Bordeaux by the Orchestra will include works by Guridi, Bizet and Falla. The last of the three will be recorded live by the Mirare label. Beforehand, the Orchestra will perform the same pieces on April 9th in Vitoria and 10th in Bilbao as part of its 11th regular Season Concert Programme, also conducted by the Italian Carlo Rizzi and featuring Luis Fernando Pérez as guest soloist.

Policy of exchanges, exchanges of culture. In its endeavour to spread the Basque culture to all corners of the world, added to the invitation to participate in prestigious festivals and concert seasons such as the Schleswig-Holstein and Brazil's Mozarteum, exchanges with other orchestras have played an essential part in the trajectory of the Basque Orchestra. This two-directional policy has doubly extended the Orchestra's artistic horizons. Not only has it opened the doors to far-off venues and audiences, it has also attracted the music of other symphony orchestras to the stages of its Season Concert Programme. Internationally, this exchange policy stemmed from our connection with the Orchestre National Bordeaux Aquitaine; in a subsequent development it has taken the Orchestra to tour Italy for an exchange with the Orchestra Sinfonica di Milano Giuseppe Verdi (2009) and on a visit to Germany with the Düsseldorfer Symphoniker (2011).

The Basque Orchestra is heading to Bordeaux for the sixth time. From Bordeaux to the world. In 1984, Bordeaux became the first international stop for the Basque National Orchestra, an ensemble strongly committed since its creation to acting as the ambassador for Basque culture worldwide. Later, in addition to several visits to the capital of Aquitaine, over its 31 years of history the Orchestra has made 14 international tours: halls in Germany, Austria, Switzerland, France, the UK and Italy in Europe and Argentina, Chile and Brazil in America have all hosted concerts by the Basque Orchestra. Among them are the Vienna Kontzerthaus, the Munich Herkulesaal, the Berlin Kontzerthaus, the Zurich Tonhalle, Sao Paulo Hall, Milan Auditorium and the Colón Theatre in Buenos Aires. Somewhere around a hundred concerts and thousands of kilometres covered with the aim of spreading word of the Orchestra's music and the production of Basque creators down through the years. Our efforts have earned us a place not only in the European musical circuit, but also in Latin America, thus boosting ties with the Basque community overseas.

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Wednesday 20 February, 2013

Presentation of the fifteenth and final volume of the Basque Composers Collection

Presentation of the fifteenth and final volume of the Basque Composers Collection
Carmelo Alonso Bernaola is without a doubt one of the indispensable names of 20th Century music.

Carmelo Alonso Bernaola (Otxandio, 1929-Madrid, 2002) is without a doubt one of the indispensable names of 20th Century music. An unequalled figure which the Basque Symphony Orchestra has wanted use to close its Basque Composers Collection, a 15 volume review of Basque music from the last century and a half.

Carmelo Bernaola's contribution not only radiates in its production, in which he knew how to capture his own language, but also by having been the maestro and example of many of the next generation musicians which excel today in the music scene, among them Juanjo Mena himself, musical director of this recording.

Besides the undeniable historic value of his work, it is also worth noting Carmelo Bernaola's relationship with the Basque Symphony Orchestra: as a composer, he was given the Orchestra's first commission, in 1985, launching a prolific policy of commissions which today continues being the Orchestra's symbol of identity, as demonstrated by the Tesela Project. In addition, the Orchestra has taken his work to the Miramón Matinées, Musical Fortnight, Musikaste, etc. As conductor, he occupied the OSE podium on various occasions, among them a concert at the San Sebastián International Film Festival (1983) and the recording of the album "Armonías Vascas" (1985).

From Jesús Guridi to Carmelo Bernaola, the Collection. Jesús Guridi and Carmelo Bernaola shake hands, they are the beginning and the end of the Basque Composers Collection. Between one and the other, from 1997 to the present, the Collection has brought together a significant sample of the productions of composers which, between the 19th Century and the beginning of the 21st, have written the history of Basque symphonism, adding great pages to our cultural heritage which are already part of this country's rich musical tradition.

In addition to promoting creation through commissions to composers and the live dissemination of the Basque musical heritage, guaranteeing its sustainability through recordings is one of the fundamental core ideas of the Basque Symphony Orchestra's activity.

 

Friday 01 February, 2013

The programme chosen for the opening of the auditorium in Bordeaux included The Gliding of the Eagle in the Skies

The programme chosen for the opening of the auditorium in Bordeaux included The Gliding of the Eagle in the Skies
Peter Eötvös' work was commissioned by the Basque National Orchestra as part of the Tesela project.

On Thursday evening, the Orchestre National Bordeaux Aquitaine inaugurated the new auditorium in Bordeaux. Under the direction of conductor Kwamé Ryan, the programme chosen for the official opening of the orchestra's new venue included Peter Eötvös' work The Gliding of the Eagle in the Skies, commissioned by the Basque National Orchestra as part of the Tesela project. The programme notes explained that "the piece was commissioned by our friends and neighbours at the Basque National Orchestra on the occasion of the symphony orchestra's 30th jubilee."

Over the years the two orchestras have developed a close relationship. Since 1983 the Basque National Orchestra has performed for audiences in Bordeaux, and the Orchestre National Bordeaux Aquitaine has performed in San Sebastian, Bilbao, Vitoria and Pamplona as part of the BNO's regular season concert programme.

11 and 12 April, the Basque National Orchestra's will headline the stage at the Bordeaux auditorium. The Basque National Orchestra will perform for the first time at the recently opened Bordeaux auditorium on April 11th and 12th. The concert will be conducted by Carlo Rizza and feature piano soloist Luis Fernando Pérez.

 

Thursday 24 January, 2013

Clarinettist Martin Fröst and the premiere of Mauricio Sotelo's Urrutiko urdin in a new BNO Season Concert Programme

Clarinettist Martin Fröst and the premiere of Mauricio Sotelo's Urrutiko urdin in a new BNO Season Concert Programme
Under the baton of Ari Rasilainen, in concert 25-31 January at BNO's four traditional venues.

Lejano azul, lejana Finlandia (Distant Blue, Distant Finland) is the title of the Basque National Orchestra's 7th concert programme to be held in Vitoria, San Sebastián, Pamplona and Bilbao from 25 to 31 January. Finnish conductor Ari Rasilainen will lead the Orchestra in this series of concerts featuring Swedish guest soloist, clarinettist Martin Fröst. Another highlight of this programme is the world premiere of Mauricio Sotelo's Urrutiko urdin, one of the pieces included in the musical mosaic, Tesela, a project celebrating the Orchestra's 30th anniversary.

This is not the first time Martin Fröst joins the BNO's Season Concert programme. Orchestra audiences had the opportunity to hear the talented Swedish clarinettist in May 2009, when he won critical and audience acclaim debuting with the BNO in Concerto for Clarinet and Orchestra by C. Nielsen. The following was written about the artist at the time: "a soloist of extraordinary musical talent", "a highly nuanced version, transparent despite its complexity", "robust sound [...], incredible runs of notes, with masterly ease" and "superb clarinet; a soloist of incredibly beautiful tone". On this occasion he will join the BNO in a rendition of Mozart's Concerto for Clarinet and Orchestra, In addition to his BNO Season Concert performance, on 26 January Martin Fröst will offer a recital as part of the Miramón Matinées series together with pianist Javier Pérez de Azpeitia; The concert will be held at the BNO Miramón headquarters. On the 28th Fröst will give a master class to students of Musikene as part of the "Aula Jordá" cooperation agreement between Musikene and the BNO

Urrutiko urdin by Mauricio Sotelo, a new "tessera" in the mosaic of contemporary compositions commissioned by the Basque National Orchestra. After the previous debut of Ravel à son âme by French composer Gerard Pesson, the BNO Orquesta is now proud to present Urrutiko urdin by Spanish composer Mauricio Sotelo. The peformance is part of Tesela, a project supported with funding by Fundación BBVA. Sotelo is a disciple of Luigi Nono and winner of the Spanish National Music Prize in 2001. His work is rooted in the intense forms of cante hondo, a style that has brought him in collaboration with Enrique Morente, Carmen Linares, Marina Heredia, Pitingo, Arcángel and Miguel Poveda. In Urrutiko urdin, however, the composer takes his inspiration from his boyhood summers in Euskadi, invoking the the sky and the sea.

Ari Rasilainen debuts in the BNO Concert Season. Finnish conductor Ari Rasilainen to debut this season as guest with the Basque National Orchestra. But this isn't the first time Rasilainen takes up the baton with the BNO: In September 2010, as part of the San Sebastián Classical Music Festival, he conducted a concert featuring the music of Rachmaninov. In addition to Urrutiko urdin and Mozart's Concerto for Clarinet and Orchestra, the programme will feature Symphony No. 2 by Finnish composer Jean Sibelius. Rasilainen has conducted on numerous occasions for orchestras including the Suisse Romande, Tonkünstler Orchester Niederösterreich, and the radio orchestras of Frankfurt, Leipzig, Stuttgart and Berlin, and has worked with soloists such as Montserrat Caballé, Julia Fischer, Shlomo Mintz, Daniel Müller-Schott, Gregory Sokolov and Nikolaj Znaider.

 

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